Blogging Etiquette: A Modest Reminder.
Folks:
A brief note about this blog — the merest epistolary splinter. Think of this as Miss Manners meets the Blogosphere.
This blog is a very public space. You should approach it accordingly. The idea is to provide a place for lively, convivial community discussion of the extraordinary performances we’re all enjoying.
We’d like to remind you of just a few things:
1. The lead postings are written by:
- Mike Hawley, Cliburn IPCOA laureate and prizewinner in 2000 & 2002
- Ken Iisaka, Cliburn IPCOA finalist in 2007
- James McQuillen, critic and program annotator
- Mike Winter, professor of music, Boise State University
We do not moderate the blog unless absolutely necessary. Our role is simply to be catalytic in these discussions, and we hope they will add a unique dimension of enjoyment to the great music we’re all so privileged to share. We are all volunteers juggling busy lives, and we know we are scrambling to do a somewhat scrappy job. Be sympathetic.
2. You’re free to comment at the bottom of any blog entry. It should be easy to figure out how: it’s a simple, bare-bones interface. There’s almost no administrative support to help you with technical nits, so we hope things are reasonably self-explanatory.
3. After each performance, and especially after each round, there tends to be a flood of opinions, often sharply divided. Please be aware that if you vent a strong opinion, others may weigh in with sharply opposing views. As noted, we do not moderate or edit discussions. (The exception is decency: kindly keep your comments at a PG-13 level; crude or obscene remarks will be removed). And remember, once you post your remarks, they can echo in cyberspace forever. A good rule of thumb is not to post things you wouldn’t say in public when addressing another person. As with most blogs, these discussions tend to evolve organically.
4. It can help to let folks know who you are, and we know there are some remarkable people writing. Blogs do make it easy to be anonymous, but this really is a community. Don’t hesitate to include your own email address and web links or references as you feel may be appropriate. Even knowing the country you’re from can be interesting.
Signed,
— Your lead posters.




May 31st, 2009 at 7:01 am
You lead posters are doing a superb job. But, with two Mikes, please credit or sign the posts in such a way as to make clear which is which, Mike W or Mike H. Sometimes you do and sometimes you don’t.
May 31st, 2009 at 9:34 am
Predictions: My Final SIX!!
Bozhanov, Haocheng Zhang, Tsuji
Di Wu, Lifits, and last but not least Mariangela Vacatello
If Haocheng is not in the Finals, it will break my heart. I love that child
May 31st, 2009 at 12:09 pm
Guys, thank you for your hard work. It has been very enjoyable so far.
@Cliburn Admin — It seems that we cannot view both chamber and recital programs of the semifinalists’ archive performances. It would be so wonderful if you could fix that. These semis have been absolutely wonderful and inspiring and it would be so great to be able to view ALL of the performances. Taking care of that would be very easy: each competitor can have two “picture icons,” one with the recital and the other with the chamber piece.
May 31st, 2009 at 1:38 pm
@Cliburn Admin - In addition, it appears that all Offstage content has disappeared - I’m sure the streaming video is being moved around, but this is just to drop a line to make it known…
May 31st, 2009 at 3:36 pm
@Marcus Cato- can you tell me which performer from Semifinal round you can’t find? Chamber and Recital performances appear separately.
@Angela - I just checked, I do see the Offstage and Portraits showing up. If you still can’t get them, please email support@variview.com and they can tell you what to do.
Emily in the Press office
May 31st, 2009 at 6:23 pm
@Cliburn Admin: I can see both now. Thank you.
June 4th, 2009 at 5:53 pm
Mike, sorry for this tardy but grateful reply to your etiquette reminder, and for recapping we bloggers’ credentials, which are somewhere on the Cliburn web site. Also, I should revise my biography to reflect that my seven-year tenure as an adjunct music prof at Boise State went into the past tense at the end of 2007. Besides, a better qualification is probably my ten-year tenure as free lance music critic for the Idaho Statesman in Boise. Thanks again for put out the information.
Mike Winter